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For this particular trip, I needed speed, reliability, and most importantly, stealth.I opted for getting the shot, rather than better IQ, chose the OM-D EM1 MkII and mostly used the Oly 12-40 2.8 Pro. From a tech standpoint, I havenвЂ™t really evolved a day beyond what I could do with the Nikon FM2 I learned on decades ago.

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I shoot purely in RAW, single shot, manual mode, manual focus, occasionally auto-bracket, but never focus stack or use any of the advanced features like Live Composite. ItвЂ™s arguably one of the most advanced cameras in the world. I wasnвЂ™t feeling it.Plus, as advanced and sophisticated as each camera was from a pure capability standpoint, none were as full-featured as the EM-1 Mkii. Fuji came closest to how I work, but the others, fantastic cameras all, were a bridge too far. Sony was off the table because, for me, the UX is more computer than camera: precise, but soulless and uninspiring. I rented a Leica M10, Canon EOS-R and Fuji XT-3 and shot with each of them for a week or so-to no conclusion. Worse, I started to not trust my own eyesвЂ“I saw all the вЂњflawsвЂќ of 4/3.

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Like many of us, IвЂ™m always looking for the next, best thing and with all the hype and hoopla around full frame, I started to believe the anti-4/3 propaganda.

It was a compromise: Do I sacrifice getting the shot for the best IQ? Which system, Olympus Micro 4/3 or Canon DSLR?Compounding the challenge was the fact that I recently had a bad case of GAS, so I was biased towards getting the best IQ. At the same time, this once-in-a lifetime trip deserved the highest quality images. Especially in hot spots like Jerusalem and Amman where, among other sensitivities, there are strict rules about photographing women, certain rituals and sacred places. After all, IвЂ™m a street photographer, not a photojournalist.In any street environment, being respectful is crucial.

And it makes street photography a much more delicate proposition.So rather than land in a specific ideological camp and make editorial statements, my goal was to photograph common ground where I could find itвЂ“everyday moments that people shared, regardless of religion or nationality. ItвЂ™s important to know with whom youвЂ™re talking. In an active conflict zone shaped by centuries of carnage and conquest, people are naturally wary. Why are you here?вЂќIt can feel more like an interrogation than a conversation. The initial dialogue goes something like this.В Person (man on the street, cab driver, shopkeeper, etc.): вЂњWhere are you from?вЂќYou: вЂњThe U.S.вЂќPerson: вЂњWhy are you here?вЂќYou: вЂњIвЂ™m a tourist-IвЂ™ve always wanted to visit.вЂќPerson: вЂњNo.

February 22, 2019Guest Post, Guest Review, Micro 4/3, Mirrorless, News, Olympus, Reportage, Street Photography, Travel, User Reports36OLYMPUS DIGITAL CAMERAStreet Shooting in Israel & Jordan: Is Micro 4/3 the Perfect Format?By David EllisFrom the moment you hit the streets in Israel or Jordan, you inevitably stumble over the regionвЂ™s cultural, religious and political fault lines.